SQUELCHER 001
A Brutal Zine
WELCOME TO SQUELCHER!
Thank you for stopping by to check out SQUELCHER, a zine dedicated to highlighting authors, artists, bands, and filmmakers. The goal is to shed some light on creatives who deserve a little time in the spotlight. Each issue will contain four interviews with each of the aforementioned. This issue includes interviews from Rob Nelson, author of MADE A MONSTER: A SPLATTERPUNK NOVEL and Just the Tip. SINE NOMINE, a band out of St. Louis, Missouri, who just released their newest album, THE SUNDER VEIL. Artist Mr. Grimble, who’s working on his debut graphic novel. And finally, Riley Donigan, an up and coming filmmaker who’ll literally blow your mind!
ABOUT THE ZINE
SQUELCHER is a passion project for me. I grew up reading Kerrang, Metal Hammer, Fangoria, and a multitude of other amazing magazine publications. Journalism became an escape for me. When I went to college, I almost pursued it. That almost has haunted me for the last decade. On January 1st, with a little encouragement from my wife, I decided to launch the zine.
Thank you for reading, and I hope you enjoy the interviews. Also, a special thank you to those who participated and made this first issue happen. You guys are the real MVPs.
Interview 1: Rob Nelson
Rob Nelson is an author hailing from Eureka, California. He’s the author of Made A Monster: A Splatterpunk Novel and Just the Tip. His first novel made waves in the splatterpunk community, earning him his place amongst the up and comers. In his spare time, he enjoys working on racecars, video games, and he loves to cook! (Note: his short story scrambled eggs should be included in every kitchen.)
Drew: First off, congratulations on Made A Monster and Just the Tip. How’s it feel to see your first novel do so well? What were your initial expectations?
Rob: Thank you! I am extremely excited about the success of Made a Monster. Never in a million years did I expect it to be so well received. When I finished writing it, I told myself that overall, selling 50 books and hitting 10,000 pages read on Kindle Unlimited would be a dream come true. It has gone on to do so much more, and for that, I am incredibly thankful to everyone who has read my depraved little novel and supported me.
Drew: When it comes to putting your books together, what’s your process? Would you consider yourself a plotter or a pantser?
Rob: As silly as it sounds, I kind of just do whatever feels right in the moment. For Made a Monster, I had an idea for what the MC might be into, a few kill ideas, and a tough ending. For Just the Tip, it was more about a premise that came from a headline my girlfriend sent to me. I tend to sit down and write one chapter at a time, however the cookie crumbles is up to the characters themselves. I'm just along for the ride!
Drew: Any major plans for 2026? New projects, collaborations?
Rob: I have completed the rough draft of my third book, which, for now, will remain under wraps. But, I have plans for a fun, if you could call it that, Halloween story that I've just broken ground on and have also planted the seeds in my phone's notes for a fusion cult/slasher/splatterpunk story that I think will be a ton of fun.
Drew: What are your biggest influences? Do you find yourself inspired by other stories, or do you search for inspiration in music, movies, rats?
Rob: Rats, mostly! That's too funny, I love it. Most of my influences come from observing the world around me, as well as some pretty deep interests in true crime. For me, humans are the real monsters and my goal in my writing is to highlight how society can shape someone into something far scarier than the mythical boogeyman. We're apex predators for a reason, and it's not because every single one of us in fun, filled with love, and super awesome. There's a lot of darkness and depravity out there, and that's what scares me the most. Beyond that, my first foray into splatterpunk and extreme horror was Playground, by Aron Beauregard. Since then I have done what most of us do, which is fall down a deep hole with no intentions of resurfacing. I also love to listen to deathcore while I write, it really sets the tone for the insanity!
(Note: For those of you who have not read Made A Monster, you may have missed the Rat joke. Rob is the inventor of a Pocket Russy. Do with that what you please, and read the book if you dare. I heavily suggest reading the book with an empty stomach.)
Drew: If you had to rank your top five movies and books in no particular order, what would they be?
Rob: For top five movies, just spitballing off the top of my head... I'd have to say Ready or Not, Bring Her Back, Sinners, The Strangers (2008), and Ferdinand the Bull are topping my charts on any given day! Books? Now that is tough, I'm going to cheat just a little bit. Gone to See the River Man and Along the River of Flesh by Kristopher Triana. The Cotton Candy Massacre Series by Christopher Robertson, it Eats Your Hunger by Joseph Murnane, Heller by Dylan DeGrave, and the recently released Homewreckers by Aron Beauregard.
Drew: Important question. What’s your desert island playlist look like? You only get three bands, but you get their entire catalogue?
Rob: Important and extremely tough, you're a devious one. If it's ALL TIME... Linkin Park (RIP to the legend, Chester Bennington), Shadow of Intent, and Tech N9NE.
Drew: What’s an embarrassing fact about Rob Nelson that others might not know?
Rob: The last time I super daddy'd my pants was less than 5 years ago.
Drew: Who are some authors you’d like to spotlight? Is there anyone we should have on our radar?
Rob: I mean, of course, I have my favorites. Aron Beauregard got me into the genre that I currently write in and will forever be a favorite. Daniel J Volpe has written some of the most insane, explicit "spicy" scenes my poor eyes have ever been subjected to, and Kristopher Triana writes some of the most heinous and diabolical characters I've ever seen. But if you love splatter and extreme, by default, you already love these guys. I have recently started digging into Judith Sonnet's catalogue and have really enjoyed the range of her stories. My friend, Joseph Murnane, who helped me get started on this path by telling me about all the things I was screwing up and hyping up all of the things I did right, is an absolute legend. Everything he writes is amazing, his prose is beautiful, and his words are utterly bone-chilling. Dylan DeGrave is another one to keep a lookout for. His debut Novel, Heller, was incredible. The ideas he has told me about for future works sound abundantly badass, and I can't wait to see what he comes out with next!
Drew: Any words of wisdom? Something you’d like to share with the readers based on your publishing and literary journey?
Rob: Write for yourself. Not for the people you think would want to read your book. Authenticity is everything, and you owe it to yourself to write something that you would love to read before trying to appease the masses. Don't be too hard on yourself with your early work. Writing is a skill that takes time to hone and craft. Don't be discouraged! Not everything you write will be groundbreaking, but if you put genuine effort into it and truly love what you're writing, you will get better! Don't take it personally if someone doesn't care for your story. Remember, you did this for you, not them. If you love it, others will too!
Drew: What are your long-term goals as an author?
Rob: Ah, the million-dollar question. I'm a dreamer. I set obscenely large goals for myself, and I find ways to chip away at them over time. If one day I am lucky enough to do so, I would absolutely love to take this gig full-time. As it stands right now, I just want to keep doing what I'm doing. Writing my stories at my pace, enjoying the journey, and growing my skill set. I love the grind, and just can't wait to see where this whole thing takes me. In short, I'll be shooting for the stars in the hopes that I'm able to land on the moon, but a step stool is plenty good for me, too!
Drew: Alright, last question. What would be your dream collaboration, alive or dead? Who would you love to write a book with?
Rob: Kristopher Triana, no hesitation. His writing is diabolical, haunting, and eloquent, and his characters are some of the most devious and monstrous people to grace a page.
MEET THE AUTHOR:
(Photos provided by Rob Nelson)
INTERVIEW 2: SINE NOMINE
Sine Nomine is a band hailing from St. Louis, Missouri. Formed in 1999, they were active in the music scene until 2015. Luckily for us, they’ve returned with their new album, The Sunder Veil. The album includes five songs, with about twenty-five minutes of run time. The highlights for me included Default (Track Two) and Hush (Track Five). I listened to the album about three times over, enjoying the dark, melodic, but aggressive sound. Their style is reminiscent of The Dillinger Escape Plan, Anaal Nathrakh, early Deftones (to an extent), and Portals (Australia). One of the best ways I can describe their music is layered. Each playthrough yielded something different, something that made me enjoy the album a little more.
Drew: So let’s address the elephant in the room. Your band was active from 1999-2015, producing the tracks seen on Pre Historia a. What brought you guys back? Can you give us a little insight into the band’s inception and the reunion?
Inception: Sine Nomine: We originally formed back in August of 1999 in St. Louis. It was a different era. We started as a five-piece, pared down to four, and eventually distilled into the three-piece lineup you see today. That trio dynamic is really where we found our stride.
Reunion: Mike: Honestly? It was the Blink-182 song, “One More Time.” I texted it to Doug because I thought it was funny, but it also weirdly described exactly where we were as friends and as a band. We started talking about going to the Botch reunion show in Chicago, and while we were there, soaked in that energy, the conversation shifted to: “Let’s text Derek and set it up”, and the next phase was in action.
Drew: Has it been nice to record music again? What part did you miss most about Sine Nomine?
Doug: When the three of us get together, the music just comes out easily. We know each other so well, and we have similar tastes, but we’re also open to pulling in influences from everywhere.
Mike: It’s been great. I played in a couple of other bands during our break, but nothing was ever as creatively fulfilling as this. There is a specific chemistry in Sine Nomine that I just couldn’t replicate anywhere else.
Derek: Not a lot of thought is required when we write and songs just happen (we typically have a single riff or two then jam the balance to completion - this is a “relatively” newer approach, as many years prior (think pre Super Molecular Dust Separator) I was a primary song writer and those were refined down and complemented with Mike and Doug’s contributions) - also easier this time around to capture better demos to build off of. We’ve been fortunate over the tenure of the project to all be able to grow as musicians who are not formally trained and explore our own sounds and techniques. This has afforded us a canvas with no boundaries to create.
Drew: I did some googling, and Sine Nomine means “Without A Name”. Is there a story behind that? Some kind of cool hidden meaning?
Sine Nomine: Band names are hard. Mike’s wife actually gave us the idea, referencing a literary artist. At the time, it sounded cool, but looking back, it actually fits perfectly. It describes our sound—it’s hard to put a single name or label on what we do. We exist in the gray area between genres.
Drew: The Sunder Veil is one of those albums that I find myself listening to over and over, discovering more layers. What inspired the album? Were there any other bands or types of media you consumed during the development process?
Doug: A very natural result of a combination of decades of absorbed influences and always wanting something new.
Mike: We actually started writing it during our very first practice back together. For the first four practices, we wrote one new song each time and just focused on that single track the whole time. It felt like we had nearly a decade of stored-up creativity waiting to burst the dam. Note: The process did hit a snag when I broke my foot. We had the demo recorded, but we had to sit on it for seven months before we could get back in and re-record the final versions for the album. It was torture waiting, but worth it.
Derek: I’m glad you mentioned layers and want to touch on the recording a bit – we like to record live as much as possible, and the space we record in is quite unconventional for that “professional studio” sound. That said, we took an approach of recording both bass and guitars through multiple amps and speakers in a line about 5 feet in front of the drum kit and blended all the frequencies that pleased us into the mix. We are also fortunate to have many odd angles in the space we practice and record to create some natural reflection diffusion, but not entirely, and some of those good bits were also able to be captured in the recording and mix. In addition, I thrive on recording vocals that can never be recreated live in aggregate with our lineup, but by proxy, ultimately affords me an entire range of options when performing our tracks live - my own choose your adventure, so to speak. These vocal layers are always going to be included on any recording we do until Mike and Doug tell me to stop. I listen to Nils Frahm and Mid-Air Thief primarily for any inspiration for this project - odd maybe...
Drew: What’s your dream concert? Who would open for you, or who would you love to open for?
Sine Nomine: Maybe some of the GOATs: Coalesce, Botch, Converge, Soundgarden, Faith No More, Björk - or generally any band that isn’t one-dimensional.
Drew: Is the current lineup the same as the original? Have you acquired new members? If so, how’d you all meet?
Mike: We are—and always have been—the original core of this band. There have been others involved throughout the years, but they were all secondary characters to the dynamic the three of us share (no offense to them). Derek and Doug have known each other since high school. I was introduced to them by my now-wife way back in ‘99. We’re locked in.
Drew: What’s next for Sine Nomine? Do you guys have plans to tour outside of the Missouri area or attend festivals?
Doug: Be old, make more music, and play sparingly with bands we love.
Mike: I don’t see us getting in a van for full-blown tours anymore unless something crazy is thrown our way. But I could definitely see us doing a targeted weekend here or there. We’d love to do a worthy weekend festival if the lineup were right. We want to keep the music tangible and accessible, but on our terms.
Derek: No end in sight unless I weird out and move across the country again or to some other country – but we’ll figure that out and still prolly record and put shit out however we can.
Drew: Walk us through your recording process. Are you all working with a local studio, or was most of the album cut, mixed, and developed by yourselves?
Doug: DIY. Derek, Derek, and more Derek.
Mike: DIY or DIE.
(Interviewer Note: Derek Yeager handles the engineering and production, ensuring the band retains full control over their sound, aligned with the ethos of his label, Ephemera Flux).Derek: Yup, I do, and I do unconventionally and outside the traditionally accepted norms.
Drew: Are there any other bands local to your scene we should be on the lookout for?
Sine Nomine: absolutely. Keep an ear out for Blight Future, Fortunate Son, Fister, The Gorge, Church Snakes, A Symphony of Punches, and Future Nots. St. Louis has some heavy hitters.
Drew: Time to talk about equipment. What kind of rigs are you guys running? (amps, guitars, drums, symbols, mics, pedals).
Doug: I run an Epiphone Dot through a Tube Screamer, split via an ABY pedal into a Marshall JCM 2000 and a Hughes & Kettner (sometimes a 5150). Sometimes I add in some Boss delay and a Pitchfork octave pedal for even more fun.
Mike: That is not a drummer question. I just bang on things and break them.
Derek: I run a Schecter RIOT-4 SESSION bass through a Hizumitas (fuzz), Lore (texture), Fathom (reverb/texture), and SansAmp (eq/gain/drive), split via KMA AB/Y into a Fender Rumble 800 that runs into 1x15 Aguilar and 1x15 SWR and the B amp is a GK MB410 II – and live sets through Rumble 800 and Ampeg 6x10 with no AB/Y. Vocals equipment I run a Sennheiser e935 through a Boss Mega Distortion (gain), Cloverhoof (fuzz), Fable (texture), and Slo (reverb) pedals into a Direct Box to board, preamp, or PA.
Drew: What’s an embarrassing Sine Nomine fact?
Doug: Mike wets the bed.
Mike: ...And we used to have a djembe player.
Derek: I’m not sure which is worse - playin’.
Drew: If you had to describe your sound in two sentences, how would you describe it?
Mike: I get this question a lot from “civilians,” and it’s always difficult. To someone who doesn’t know any better, I just say “we are loud and screamy.” But to those in the know? We’re somewhere in the realm of metal, punk, and noise—like Majority Rule, but with our own spin.
Derek: Sonically, it’s a “fuck you..beautifully”, and lyrically it’s extreme loss and/or recapitulating singularity. Everything and nothing at the same time.
Drew: Any words of wisdom for other bands out there?
Doug: Play music you like as often as you can, and tour a lot (while you’re young).
Mike: Dreams are hopeless aspirations in hopes of coming true. Believe in yourself; the rest is up to you!
Derek: Be unapologetically you in every way, Fuck what u heard!
MEET THE BAND:
(Photos provided by SINE NOMINE)
Interview 3: Mr. Grimble
Mr. Grimble is an artist drawn to the shadowed edges of horror and fantasy, where beauty and dread exist in uneasy harmony. His work explores the macabre, the mythical, and the forbidden, often infused with a subtle current of eroticism that invites the viewer to linger just a moment longer than comfort allows.
Beyond the pen and ink, Mr. Grimble finds solace in simpler tasks such as testing his culinary skills, where cooking becomes its own form of alchemy, and spending time with his beloved dog, whose presence offers a welcome contrast to the darker worlds he creates. Together, these influences shape an artist who balances the grotesque with the intimate, and the unsettling with the warmly familiar.
Currently, Mr. Grimble is hard at work completing his first art book and his first graphic novel, a horror crime noir entitled Mad City. He is also creating art for a new novel written by author Drew Valdez, as well as providing art for 2 other upcoming comic book series.
Drew: What can you tell us about your upcoming comic?
Mr. Grimble: So, to answer this, let me first express my love for the film From Dusk Til Dawn and why. This is a film that is essentially 2 stories in one. It is not a straight-up horror film at first. We are introduced to 2 murdering criminals as they kidnap a family and take them on their escape route. Along this trip, we get to know these characters. We even begin to care about these characters, all of them. You forget about the prospect that anything else will happen because you are enthralled in THIS story. And then BAM, we have fucken vampires.
Drew: What does 2026 look like for Mr. Grimble? Plans, projects, conventions?
Mr. Grimble: The number one goals of 2026 are getting my first art book out, a culmination of many pieces, as well as an exclusive selection specifically for the publication, and then of course, MAD CITY Book 1. The original plan was a late 2025 release, but I've been blessed with a lot of other work, and I want to make sure I am completely happy with every single goddamn fucken panel of this graphic story. And with the release of Book 1, will certainly come conventions.
Drew: I recently saw one of your live drawings on YouTube. That was amazing. Can we expect to see more of those? Is there a certain process you go through when picking a subject to draw?
Mr. Grimble: I definitely plan on getting on a groove with my YouTube channel. If nothing else, it's a great way to connect with my fans and let them see my process. I recently started creating polls for my followers to help choose my next piece. I do, however, keep a secret book full of thoughts and imagery that keep my sometimes demented brain ticking. Like a scrapbook of the macabre.
But honestly, I can also be inspired by a Norman Rockwell painting or an Alice Neel portrait...inspiration can come from anywhere, but it is best when it is unexpected.or unsolicited.
(Note: YouTube link)
Drew: What, and who are some of your major influences?
Mr. Grimble: Although my current artist can be described as a culmination of years and years of practicing and studying art, from the likes of Alice Neel and Lucian Freud to Steadman...I’d say my top 2 visual influencers are indeed Ralph Steadman and Simon Bisley. I’ve always been in awe of their ferocity and fearlessness to just “attack” the paper with their images. Steadman will have an image of extreme anatomy forms and ink blots and splashes, and as a viewer, you can connect with it or not. But if you do...oh man, what a rush.
Outside of that, an unhinged Clive Barker will always be right there for me...from his novels to his art book, which sits pleasantly on my shelf.
Drew: Do you have a favorite comic or animated series, or both?
Mr. Grimble: I don't think I can pinpoint a favorite comic or series. Although I will always love early Bisley LOBO work and his pages in Batman/Judge Dredd. But to make this answer more interesting, I will give you one obscure book not many know about...and one surprising book that many probably wouldn't think I'd mention. The first is "The Yattering And Jack," a short graphic novel based on a Clive Barker story with painted pages by the great John Bolton. And the second is Marvels by Kurt Busiek and Alex Ross...a series majorly responsible for me picking up a paint brush.
Drew: What is one tool you can’t live without in terms of creating art?
Mr. Grimble: I'm taking this question literally...and so I would say my traditional dipping nib pen. I may not use it exclusively as I have quite a mixture of tools I use...but this pen has always been at the heart of my work. And it is mainly because it is not easy to master, and I welcome the certainty of mistakes and what that can help further create.
Drew: Have you ever drawn something that scared you? Like, truly scared you?
Mr. Grimble: No, simply because at the heart of what my artwork represents and what "Mr. Grimble" stands for...is an acceptance of our hidden desires and to look at our nightmares and fantasies head-on. Can it be frightening? Absolutely. But it can also be fun and sexy. Accept it all and do not fear being judged.
Drew: What’s something most people don’t know about Mr. Grimble? A fun fact you don’t think others would assume or suspect?
Mr. Grimble: My dog is a female named Andi...named after "Andy" from Goonies.
Drew: In your posts and your works, you mention dreams quite a bit. What is the significance of dreams and dreamers?
Mr. Grimble: Ahh, yes, yes. I refer to everyone as my lovely freaky dreamers. This goes along with what I mentioned previously...it is only when we dream that many of us truly let ourselves be free, free of judgment. We keep our hidden desires and fears locked up in order to cope with the "real world." And so I consider myself a depictor of what many of us truly want to secretly see...or feel...like slowing down for a car crash. The same people who are judging others for doing so, are slowing themselves. And it is all for that single moment where you can feel happy to be alive and well. And so take nothing for granted. I say " my lovely freaky dreamers" because I want everyone to relish and bathe in their own fantasies and not be ashamed...cloak yourself in what makes you feel alive.
And honestly, isn't that why we love HORROR to begin with? Isn't that the point of experiencing that rush of fear when we experience a frightening moment? Only to be followed by a fit of laughter because of what your brain and body just went through...that's when you know it hit it just right.
Drew: Do you have any advice for other artists out there? Things you’ve learned over the years?
Mr. Grimble: My main piece of advice for any artist is simply...keep practicing. And to create art for YOU!! Not anyone else. People will spot and appreciate the honesty, and your fans will follow.
Drew: Three, three, three, and three. Three artists, three movies, three bands, and three books people NEED in their lives.
Mr. Grimble: Artists: Ralph Steadman, Simon Bisley, Bernie Wrightson
Movies: Se7en, Snatch, Francis Ford Coppola’s Dracula
Bands: AC/DC, Muse, Gary Clark Jr
Books: Caleb Carr’s The Alienist, Clive Barker’s Damnation Game, Erik Larson’s The Devil in the White City
MEET THE ARTIST:
(Photo provided by Drew Valdez, cover art for the upcoming novel MR. FUCKO, drawn by the amazing Mr. Grimble.)
Interview 4: Riley Donigan
Riley Donigan is a filmmaker from New York City. He’s the writer and director of SHITHEAD, and the upcoming short film STAIRS.
Drew: Congratulations on SHITHEAD! Can you tell us anything about the new project, Stairs?
Riley: Thank you! Super excited about this one. STAIRS is a short about a young woman who is addicted to throwing herself down flights of stairs as a form of a fetish, and chaos ensues. I am very excited about it and am super proud of this film, so I can’t wait to show everyone!
Drew: What was the schedule like this last year, as far as festivals, showings, and the work behind the scenes? How did you find time to balance it all?
Riley: It was a veryyy busy year and still is. Shot the new short in June, did SHITHEAD festivals in June and August, and edited the new film during all of that while working my day job as a commercial editor and helping edit other folks’ films. I am honestly really stretched thin, but I am obsessed with this stuff, and I love to keep working, and honestly, I have a lot of anxiety about it sometimes, and so it sort of forces me to find the time.
Drew: What are some places and things you draw inspiration from? Films? Places? Music?
Riley: Other films, definitely, and also my own life. A script has to connect with something in my own life before I make it, or else it just feels empty to me.
Drew: Is there a certain process you go through when writing your screenplays? Rituals? Plotting?
Riley: I look at writing like I look at editing. I will write a bunch of scenes down really quickly (sometimes out of order) and then, just like receiving footage from a shoot, I will take it and try sculpt it into something tight and sound. I will start with a reallyyyy rough one-page outline, but I try not to do too much there because I start to get paralyzed when I think about all the possibilities of what the film could be. I need to just get it all out as quickly as possible and not be precious about anything. One thing I do love to do when I am stuck on a script is play a score of a movie with a similar tone to the film I am writing, walk around my neighborhood for 20 minutes, and by the time I get back, I usually have figured it out.
Drew: If you had to describe your style in two sentences, how would you describe it?
Riley: It’s always tough to answer this one because I feel like anything I say is slightly untrue. However, I will say that I love bizarre, absurd premises that are taken very seriously.
Drew: What’s one piece of equipment you couldn’t live without?
Riley: I actually do not own any equipment!
Drew: I’m sure there is a lot of networking that goes on in the film world. Is there anyone you’ve come across who has acted as a mentor for you?
Riley: Derrick Borte was a gracious mentor to me in high school and introduced me to real film sets for the first time. He also let me work on his feature as a Camera PA for the first time in my life when I was 18 in the summer before college, and it was a life-changing experience for me.
Drew: Do you have any advice for other filmmakers out there? Things you’ve learned throughout your journey?
Riley: Learn. How. To. Edit.
Drew: What would your dream project be? Give us a pitch and a cast!
Riley: I can’t be giving the pitch away, man!! But I am dying to work with Jesse Plemmons.
(Note: WE ALMOST HAD HIM THERE!)
Drew: What is something people don’t know about you? A fun hobby, or guilty pleasure?
Riley: I surf and have a corgi. Also, I am a huge Seahawks fan. Go Hawks.
Drew: What are your top five favorite movies in no particular order?
Riley: Obviously, this is a tough question and ever-changing, but here’s where I am at now:
Birth by Glazer
Songs from the Second Floor by Roy Andersson
Possession by Zulawski
After Hours by Scorsese
Seconds by Frankenheimer
Drew: Are there any other filmmakers you’d like to highlight? People whom we should keep on our radar?
Riley: There are a lot of really great NYC filmmakers who are killing it and making great shit. Alex Sovoda, Philip Thompson, and Taylor Lee, to name a few.
MEET THE DIRECTOR:
Author’s Note: Thank you, guys, for taking the time to read the zine. Your support is greatly appreciated!
-Drew
fantastic, man! riveting read
mr fucko lives!
11/10 for love of the work.
👏👏👏👏👏👏👏
Regarding this zine, it's truly wunderful to see a passion project take flight and shine a light on deservin' creatives. I'm already wonderin' about the next issue!